Tag Archives: Interview

Consultant in the Hot Seat: Charlotte Tope

What three books changed your life?

The Celestine Prophecy by James Redfield
This is a good starting point for anyone who wants to explore the idea of higher consciousness without heavy, hard thinking text. I think you’ll either love it or hate it, but it was definitely a significant book for me.

02. The Secret by Rhonda Byrne
Granted, you have to take this book with a pinch of salt – don’t expect to show a little gratitude and ‘will’ all your hopes and aspirations into fruition by next month. For me, this book was a powerful read in terms of showing how our mental attitude and belief can really effect the direction your life will take. The law of attraction is a powerful thing!

03. The Working Woman’s Handbook by Phoebe Lovatt
I just love everything about this book, from its design to the typography and most importantly it’s content. If you need a push, or a little advice on your creative projects – this is the one.

If you could have written any book that exists now, which would it be?

The Little Book of Hygge by Meik Wiking. In fact if I were a book, this is what I would be.

If you were given the chance to have one superpower from any book/comic character, what would you have?

I would want to have Avatar Aang’s powers, from The Last Airbender. Putting it really simply, depending on what nation you are from, (based on the 4 elements of earth, air, fire and water) some individuals have the power to control and manipulate their nations element i.e people from the fire nation could control fire. Avatar Aang however, was able to control all 4 – would have worked a treat in this recent heatwave!

If you could write ‘THE book’ on something, the definitive how-to guide on any subject, which topic would you choose?

Christmas (in London), of course! What to read, where to go, the best window displays! Am I the only one ready for Christmas?

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Consultant in the Hot Seat: Julie Irigaray

 

If you could write ‘THE Book’ on something, the definitive how-to-guide on any subject, which topic would you choose?

After living in four different countries, I’d love to write a book on living abroad and learning a new language. I’ve learned a lot from these experiences as we often don’t realise how our vision of the world is limited by our culture.

What three books changed your life?

Le coeur cousu (translated as The Threads of the Heart) by Carole Martinez. I offered this book to at least ten people because the story and the language are mesmerizing. Set in 19th century Andalusia, this novel is about a family of women with supernatural powers who struggle to remain free in an oppressive environment. The language is so superior to any book I’ve read that it discouraged me from writing in French! During my studies, I chose to translate a very difficult passage into English and I told the author at the Paris Book Fair that she was a nightmare to translate. She apologised and signed my copy: “Thank you for giving flesh to my paper characters in English”!

East Wind, West Wind by Pearl Buck. My mum tried to make me read this author for years so I reluctantly started. I ended up reading it in seven hours non-stop. The narrator is a woman in early 20th century China whose brother marries an American woman and whose husband rejects Chinese traditions. This novel deals with a country which struggles to keep its traditions at the time of great political changes. The theme of cultural differences could only appeal to me!

In Other Words by Jhumpa Lahiri. The author describes her obsession for the Italian language and culture and her journey to become not only fluent in Italian, but to write too. Reading this book was a very disturbing experience as she raised important points which echoed my life: why is someone fascinated by a specific language and culture? Why do some writers choose to abandon their mother tongue? Are they rejecting their own culture by doing so? I still haven’t found answers to these questions.

What has been the highlights of the year?

Graduating and leaving Ireland, moving back to Paris (without finding a job) before arriving in London (where I have found a job)! I always wanted to come back to the UK, so I attended The London Book Fair and seized the opportunity to meet the Atwood Tate team. The rest is history…

If you were the embodiment of a publishing business model what animal would you be and why?

Despite their bad reputation, I’ve always admired foxes (all the more since two of them are wandering around my place every night)! I think every business needs cunning to succeed. I like long-term plans, anticipating the next five years and developing strategies. I also love informing myself about what competitors do (that’s for the crafty part!)

Who would you invite (and why) to your fantasy literary dinner?

Without any surprise I’d do a remake of “the Dead Poets Society” by inviting:

  • Arthur Rimbaud – because he made me want to become a poet
  • Federico Garcia Lorca – because of his humanism, his melancholic tone and the gorgeous imagery of his poems
  • John Keats – for his rich and sensual language
  • Sylvia Plath – for the distinctive voice and rhythm of her poems, the fact that she mastered her craft so well and her complex symbolism.

On a more cheerful tone, all my favourite novelists are alive, and I even had the chance to meet some of them! I’d invite Elif Shafak, Carole Martinez, Jeffrey Eugenides, Eric-Emmanuel Schmitt and Zadie Smith – I saw her in a restaurant but didn’t dare interrupting her dinner…

Bonus question: Give us one random fact about yourself. 

After living in an attic in Paris and a micro-studio in London, I moved (for cheaper!) to a Renaissance palazzo in Bologna. The wheel of fortune may turn again…

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Kayleigh Pullinger: Interview with a Book Designer

This is an interview with Kayleigh Pullinger, Designer at emc design. emc design is the largest design agency dedicated to book publishing in the UK. Kayleigh joined emc in 2017 after earning her designer’s stripes in the big city. Although new to book design, she is excited to learn new skills and over the moon that she can now spend more time with her lopsided pet rabbit (Bobbity) instead of commuting.

1) How did you start your career? And do you have any tips for people wanting to cross over from graphic to book design?

My first job was working as an in-house designer for a charity, followed by two jobs working for design agencies with clients varying from independent start-ups to big FTSE100 corporates.

My tips to those who’d like to cross over from graphic design to book design would be to familiarise yourself with inDesign as much as possible, and brush up on your basic Photoshop skills. Knowing the software that you’ll use day in day out will speed you up and free some headspace for getting creative with the realia (realia is the term used for images on the page, used to illustrate a language learning point). Start looking at the world around you, which, as designers, you probably do anyway. Take notice of how websites work, what makes an online article look different to one in a magazine? Study the pizza menu next time you’re out and about and make a mental note of how the menu is designed. All these little things help in really unexpected places.

2) What are your favourite and least favourite parts of your job?

My favourite part of my job is definitely styling realia, closely followed by a good stint of text formatting. I love how quickly you can go from a completely unstyled page of text to something visually engaging. I have to say that my least favourite part of my job is checking my own proofs, as I’m terrified of missing a big blunder.

3) If you could travel five years back in time, what advice would you give yourself?

Don’t panic if what you’re doing feels unfulfilling at the time, it’s all a learning curve, and eventually you’ll end up doing something that engages you properly. Take your time over every job, no matter how small. Get off the internet and go out into the world more, to museums and galleries and concerts and even just down the road.

4) Who do you admire and why?

Jessica Hische is my hero. She’s a lettering artist and illustrator, which is a far cry from what I do, but her career path and drive inspire me. She also keeps a lot of personal projects on the boil, which I think really helps keeps your creative cogs oiled. Oh, and she can code too!

5) Will you be at London Book Fair and if so, what are you most looking forward to? 

I won’t be personally this year, but some of my emc design colleagues are going down, so feel free to say hello to John and Ben.

Bonus Q: What book characters would you invite to your fantasy literary dinner party?

Being a child of the Harry Potter generation, I’m definitely inviting Albus Dumbledore, Luna Lovegood and Dobby. Let’s also throw in Anne Elliot, Lyra and  Marvin the Paranoid Android to mix it up a bit.

Thanks Kayleigh for taking the time to answer our questions! You’ve made me want to try my hand at book design now…

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Tips for Video Interview Success

Video interviews are becoming increasingly popular. They may take two forms: they may be conducted via Skype or a similar platform, where you talk in real-time to an interviewer, or they may involve recording answers to pre-set questions without the presence of an interviewer. The former is similar to a face-to-face interview, although there are a few things you should watch out for. The latter may feel more unnatural if you haven’t done one before, but remember everyone is in the same boat and there is nothing to worry about!

Our Top Tips for Success in your Video Interview

  • Make sure you won’t be interrupted. Remember that video interview on the BBC that went viral when the interviewees children came bursting into the background? Interviewers will probably understand if something like that happens, but it’s likely to throw you off your game! Make sure your children, pets, roommates etc. are aware of what you’re doing and are kept out of the room. You don’t want your cat walking all over your keyboard in the middle of the interview!
  • Use a plain background – a plain wall is ideal. You don’t want the interviewer to be distracted by the stack of laundry in the background or your unusual taste in posters.
  • If it’s a Skype interview, make sure you check your webcam and microphone are working well before your scheduled interview time. Call a friend or family member to check, and to help calm your nerves.
  • If you have to record your answers, make sure you practice and listen to yourself back a couple of times. Without the presence of an interviewer, it’s easy to feel awkward and that can come across in the recording. Practising will help you feel more natural.
  • Dress smartly – as you would for a face-to-face interview – and not just on the top half. You’ll feel more in the interview ‘zone’ as well as coming across more professional.
  • Look at the camera, not yourself. This will give an appearance of eye contact, otherwise you’ll appear to be looking down.
  • Relax – you’ve got this!

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Beanstalk and Reading Matters have joined forces!

We were delighted to hear that Beanstalk who we’ve been supporting for the last 7 years has now merged with another literacy charity, Reading Matters. This will allow them to support even more children and young people and help them to achieve their 2020 vision of working with 30,000 children.

The aim of the charity is to help children from disadvantaged backgrounds gain confidence in reading. Beanstalk provides 1-1 reading support to children in primary schools and early years, Reading Matters covers secondary schools so this is a great combination.

In 2016-17 Reading Matters helped 6,497 children and young people while Beanstalk worked with 11,000 children over the same period.

About Beanstalk

  • Beanstalk is a national charity that provides one-to-one literacy support to children who struggle with their reading.
  • The charity recruits, trains and supports volunteers to provide one-to-one literacy support in primary schools.
    Beanstalk’s trained reading helpers transform the lives of the children they support, turning them into confident, passionate and able readers.
  • In the last school year the charity helped over 11,000 children across England, in over 1,400 schools, with the help of over 3,000 reading helpers, ensuring children have the skills and confidence to reach their true potential.
  • By 2020-21 Beanstalk aims to help 30,000 children every year, with 8,000 volunteers.

About Reading Matters

  • Reading Matters is a registered charity and not-for-profit social enterprise which began in 1997. Since then, the charity has supported tens of thousands of young people.
  • In 2016/17, Reading Matters supported 6,497 children and young people and on average increased reading ages by 13 months in just 10 weeks.
  • The charity runs a range of programmes: Reading Mentors, Reading Leaders, Reading Families and Reading Teams. They provide schools with a resource box of reading materials that will engage and encourage reluctant readers.
  • Reading Matters’ social mission is to help children, young people and adults to reach their potential by becoming confident and enthusiastic readers.

More info:

www.beanstalkcharity.org.uk

and check out the Bookseller article: https://www.thebookseller.com/news/beanstalk-and-reading-matters-merge-664681

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How to Use Blogging to Get into Publishing

How to use Blogging to get into Publishing

How to Use Blogging to Get into Publishing

How relevant is blogging to publishing? You’d be surprised. Blogging is not a hobby you should start specifically to enter publishing, but if you have one: mention it!

Blogging is a growing hobby, and a new career choice, in the 21st century. Having a blog gives people a platform to discuss what they want and voice their own opinions. But it also gives you the opportunity to work with others across multiple fields of industry. Not to mention develops skills in your own time which can help you in the long-run.

If you’re just starting out and are looking for an entry-level role within publishing, blogging is a great skill to have! So long as you have some work experience to back it up, blogging can tip the balance on whether or not you get an interview or even a job!

There are many different types of blogs, and all can help you gain many skills, from Coding, Design, Marketing, networking and more! But within the Publishing industry specifically book blogging is a very relevant skill!

Book blogging, or booktubing (video blogging), gives you the chance to voice your opinions about books and the latest book trends. A book blogger can write reviews, top ten lists, trend-reviews and more and each of these topics has some relevance to publishing. If you’re an established book blogger you may even work with publishers; taking part in blog tours, hosting giveaways and Q&As and attending book events.

Through communicating with publishers through these events, and voicing your own opinions, shows a potential employee that you understand the industry. You can see trends, converse with professionals and work to deadlines in a creative and independent manner.

This is relevant to all sectors, be it Trade or B2B, and all roles from IT, Editorial, Publicity and more!

It also shows an interest outside of work, which suggests to a future employer that you are a reliable candidate with a keen sense of the publishing industry.

Whether you’re a book blogger or not; blogging is skill to add to your CV!

Here some things you can highlight to show how blogging is useful to you:

  • Commitment: The longer you’ve been blogging the better. This shows commitment and creative thinking, and also proves that you can work well independently.
  • Networking: If you’ve worked with brands or publishers mention it on your CV. Not only does it prove your communicational skills, but also shows an understanding of the industries you mention. This is particularly good if the brands are relevant to the job you’re applying for.
  • Social Media and SEO abilities: Have you got 1000 twitter followers because of your blog publicity? Mention it! Do you understand SEO? Mention it!
  • Coding: If you’ve altered your HTML yourself or have learnt about it then put that down as a skill. For more information about HTML and how to do it, look at our series of posts here!
  •  Design: Did you design your blog, or make your own graphics/headers? Have you got original artwork or worked with others to create artwork? Put it on your CV.

There are so many relevant and useful skills which can be a real pull to employers when looking at CV.

Make sure you have other work experience to back up your blog experiences, but also be sure to highlight the skills you have learnt through blogging! It could mean the difference between getting a job interview and getting a job when you’re first starting out!

Need any more tips about how to enter publishing? Take a look at our Work Experience & Entry-Level Resources!

For more advice, or if you have any questions, get in touch via any of our social media: Twitter, Facebook, LinkedIn, YouTube or Instagram.

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How to Get Ahead in Academic Publishing

Today we have a guest post from Academic Professional: Suzanne Kavanagh.Suzanne Kavanagh Academic Book Week

 

Suzanne Kavanagh has worked in publishing for over 20 years, most recently as Director of Marketing and Membership Services at ALPSP. You can contact her via @sashers or suzanne.kavanagh@gmx.com.

 

How to Get Ahead in Academic Publishing

Armed with a fistful of crumpled CVs and an Art History degree, I trudged up and down Charing Cross Road looking for a bookselling job. I’d set my heart on working in publishing in my third year at uni, but trawling through The Guardian I realised it would be hard for me to stand out from hundreds of applicants who, no doubt, also felt just as passionately about books and read voraciously as I did. I figured bookselling would be a good starting point.

This was the first time I’d considered what I had to offer. It made me think about how selling jeans in a shop provided influencing, negotiation and questioning skills. I realised that bar work provided customer service and conflict resolution skills (as well as excess consumption of warm white wine…essential for low budget book launches). Fast forward a few weeks and I was happily ensconced at a specialist art bookseller.

Aside from a borderline obsession with alphabetising each section and secretly sniffing new stock, I learned a lot that would be relevant for my career.

It was pretty cutting edge for *coughs* 1993 *coughs*. We had a PC networked stock management system. We used this to mail out subject leaflets to customers around the world. I used my enthusiasm and retail experience to help customers find the book they were after and proved to be an occasional foil to the sometimes-grumpy owner.

My first job at a small trade publisher was in the sales and marketing team. I dealt with bibliographic information, wrote jacket blurbs, marketing copy and produced the new titles catalogue. I got to know everyone in the company and gained a real insight into the publishing process.

But the low salary made it hard to live in London. Sound familiar?

Meanwhile a friend kept telling me about the publisher she worked at. They published academic texts for students, researchers and professionals in the humanities and social sciences. She loved working there. And she was paid quite a bit more than me. Academic publishing had never occurred: I’d always assumed that publishing meant fiction, poetry and pictures. But the facts speak for themselves.

The UK Government’s Department for Culture, Media and Sport reports that the publishing sector employed 200,000 people in 2015 – an increase of 3.7% on the year before. (Source: DCMS 2016 Focus on Creative Industries report). These figures include book, journal, newspapers, magazines and database publishing. However, in 2011, Creative Skillset reported the breakdown by sub-sector: Journals and Periodicals employed 26% of the workforce and Book Publishing 17% and Academic is drawn from both these categories.

In May 2016 the UK Publishers Association reported that total sales of book and journal publishing were up to £4.4 billion in 2015. Academic journal publishing was up 5% to £1.1 billion and there were £1.42 billion export revenues with two thirds of this figure in education, academic and ELT (English Language Teaching). (Source: PA Statistics Yearbook 2015 news release)

Academic is a vibrant sector employing a lot of people and is a major economic driver in the creative industries.

My second publishing job was at that academic publisher promoting journals and reference works. When asked why I wanted the job, the answer was clear: I’d relish working with books that support education, research and the furthering of knowledge. I got the job and – to my surprise and delight – a decent pay rise.

The great thing about many academic publishers is that they tend to be large organisations with more opportunity for training and promotion. I took all options open to me. I applied for internal jobs to learn about different lists and improve my skills. I was curious, enthusiastic, worked and played hard. I got to know people, respected different departments and personalities it took to run the business. Roles included Marketing Coordinator, Executive, Manager, Senior Manager.

Since then I’ve had the privilege of working in a range of organisations including Taylor & Francis, Continuum and the Association of Learned & Professional Society Publishers. I saw first hand how diverse the sector is at ALPSP, an international trade body for not-for-profit organisations. Their members include the American Historical Association, the Royal Society of Chemistry, the OECD, SAGE, as well as all the larger commercial companies like Elsevier and Springer Nature. There are a lot of publishers covering pretty much all disciplines.

I know it seems obvious, but the biggest lesson I’ve learnt is that job mobility and training go hand in hand with progressing your career.

You may start in one department/role. That doesn’t preclude you moving to others where your experience is applied in different ways. There are plenty of opportunities with more specialist jobs where, with the right training, you can become expert in a particular niche.

When I started out, it was relatively simple: assistant / coordinator / executive / manager roles in sales / marketing / production / editorial. And now? Well a quick glance through the Atwood Tate vacancy list tells a story. Roles like ‘Predictive Analytics and Insight Specialist’ and ‘Instructional Designer’ sit alongside Product Editor and Marketing Executive. It’s a taste of how the industry is changing. If you move roles, and learn new skills, you’re more likely to get on.

So what does the future hold for you and what skills do you need to be successful? There are three main areas you need to plot your profile against. Where do you map yourself on this chart? Where do you want to be? This is by no means exhaustive, but provides insight into where the industry will be.

Academic Flow chart

My final advice for working in academic publishing?

  1. Be curious: ask open questions, listen and learn
  2. Read industry publications, blogs and research
  3. Remember you’re dealing with people: be courteous, build your network
  4. Take every training opportunity – from free webinars to paid-for courses
  5. Enjoy it! You’re giving something back to advancing human knowledge.

 

We thank Suzanne for her wonderful guest post!

For more information about Academic Book Week, and more information about academic publishing, see the official website and the Twitter feed.

If you are a publishing professional and would be interested in writing a guest post for Atwood Tate just get in touch.

Please email: eleanorpilcher@atwoodtate.co.uk or get in touch via any of our social media: Twitter, Facebook, LinkedIn, YouTube or Instagram.

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How to Register with Atwood Tate

how-to-register-with-atwood-tate

New Year, New Job?

Why not use Atwood Tate to help you find your next job in publishing. To take the first step you need to register with us!

This is entirely free and can be done online on our website!

Register Online

Click on the Login/Register button in the top right hand corner and then click on ‘Not Registered?’ This will take you to our registration page where you can fill out all of your personal details, your preferences and upload your CV.

You can choose up to three preferences, from a list, for three separate areas:

  • Job Type: i.e. Editorial, Sales or Marketing
  • Job Sector: i.e. STM, MedComms or B2B
  • Job Location: i.e. London, Oxford or International

You can also choose whether or not to receive Job Alerts. Job Alerts are tailored to your preferences, so if your top preferences are Editorial in a B2B sector if a job becomes available you will be alerted via email.

**Please note that when you sign up for Job Alerts you may receive several immediately. This will stop after a few hours, as these will be our current jobs that suit your preferences.

Also, our Job Alerts are not tailored to salary so some roles may be too senior or too junior for you depending on your experience. Please note that you are able to search for jobs by salary on our website Job search though. If you are confused or interested in any of these roles but are unsure of whether they are suitable, each email comes with the contact details for the consultant covering that position. Feel free to phone or email them for more details.

In addition, when you register with us you set yourself a password which will allow you to login to your profile page and make edits, such as upload a new CV, turn on/off your job alerts etc. Please make a note of your password upon registering. Your username will be your email address.

Once you have filled in your details and uploaded your most recent CV, press Register.

The Next Step

Your profile will have been added to our system and our Administrator Ellie Pilcher will review it within a couple of days. She will either send your details to the most relevant consultant:

For example:

Or, Ellie will respond herself to clarify any questions we may have, or to suggest that you gain more work experience. The majority of our clients require at least 3-6 months’ worth of in-house publishing experience before considering candidates for a role. Although our Temps desk may consider applicants with less experience who have admin skills, for temp roles.

Don’t be disheartened if we respond suggesting you need to gain more experience. We have resources we can point you to, to help you gain that experience! And we’re happy to answer any questions about Work Experience on our social media accounts. For more in-depth information please contact Ellie at: eleanorpilcher@atwoodtate.co.uk.

Office Registration

Once a profile has been reviewed by Ellie and forwarded to one of the consultants, that consultant will then get in touch with you! They may invite you to register with us in person, at either our London or Oxford office depending on your immediate location. We can also do registrations via the phone and Skype.

When you have registered online you are registered with Atwood Tate. You do not need to meet us in person before you can apply for our roles, you may do so immediately.

When a consultant organises to meet with you in person it is to gather more information about your past experiences, your skills and where exactly you would like to work within publishing. You and the consultant will sort out a time and date suitable for you both and directions/information will be given before your registration.

It is an informal registration, but you can use the experience as a practice interview if you like. You will be asked to complete a couple of forms, including our Equal Opportunities form, and you’ll be required to bring along two forms of identification: a passport &  your National Insurance number.

The meeting shouldn’t take more than 20-30 minutes, but it is your opportunity to ask us any questions you have, to highlight where you want to go within your career and to discuss any vacancies that we currently have.

Applying for a Job

Whilst registering with Atwood Tate you can apply for any of our current vacancies. However, if you require more information we can only forward further details, such as salary, location and the company name after you have registered with us, due to client confidentiality.

When you apply your information will be forwarded directly to the consultant handling the position. We recommend that you do not apply for more than three roles at a time, unless you are certain you have the required experience.

If you would like to contact us for more information regarding a job please have the reference number and Job Title to hand. They will be on the job alert or our website.

We will let you know within a few days whether or not you are suitable for the role. Although, if you have not heard from us after two weeks it is unlikely we can consider you for that position.

And there we have it! That is how you register with Atwood Tate!

If you have any further questions about registering with us please contact our administrator via telephone or email. And if you’ve registered with us before but have forgotten your details, or are struggling to access your profile, also contact our administrator.

If you have any immediate questions feel free to contact us via social media or comment down below. Twitter, Facebook, LinkedIn, YouTube or Instagram.

We hope that you will register with us soon!

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Introducing our new YouTube Channel

introducing-our-new-youtube-channel

We’ve started a YouTube Channel!

If you’ve been following our Instagram and Twitter feeds you would know that yesterday we released our first ever Atwood Tate YouTube video!

Atwood Tate | Who Are We

We’ve started basic but soon we hope to be adding weekly content about things that you want to know about: how a specialist Publishing Recruitment agency works, the jobs we handle, the best ways to get a job in Publishing and more!

The reason we started our YouTube channel is to grow our presence across Social Media and better explain what we do and how we can help people find a job in Publishing in an interactive way! We want to make videos that you want to watch so if you have any questions or ideas send them our way! Comment below or let us know on another of social media accounts!

This channel will also allow you to meet our Atwood Tate team! From both our London and Oxford offices! We’re all going to be getting involved!

In yesterday’s video you meet two of our staff members: Karine Nicpon and Helen Speedy.

Karine is a Senior Publishing Consultant who handles editorial jobs in the STM & B2B sectors whilst Helen is the Associate Director of Atwood Tate and handles more Senior Roles across the whole of the publishing industry; she also manages the Perm (permanent jobs) team.

In the future we hope that you’ll get to hear from all of us Atwood, and understand the roles each of us play in the office, not to mention which consultant would be best to send your CV when you start looking for a job! That video will be coming up soon so keep your eye out for that!

You can follow all that we are doing on our YouTube channel and more on all of our Social Media Links: Twitter, Facebook, LinkedIn & Instagram.

If you haven’t entered our Giveaway yet you have only 1 week to go! You could win a Stocking full of Christmas Goodies!

Merry Christmas!

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Dress Codes for Interviews

dress-code-for-interviews-12

It is universally acknowledged that within the first 30 seconds of meeting a potential new employee the interviewer will judge them. First impressions, unfortunately, mostly come down to what we look like.

That is why dressing appropriately for an interview is so important.

Don’t be fooled into thinking that this means you should go out and buy a suit as a simple go-to interview outfit. Publishing is a creative industry; whilst looking smart is paramount at an interview, dressing like you is also key.

As a general tip, don’t dress up for an interview. Dress like you would if you got the job and were going into work at the office every day. Smart, but not overly so.

  • Stick to the guidelines given. If they say “smart casual” do not go above ‘smart’ by wearing a two-piece power suit, but definitely don’t go below the guidelines by wearing denim jeans and trainers.
  • If you’re unsure as to what to wear just ask us when you come to a pre-interview meeting. You can even use the meeting as a practice-dress, if you like.

For example, a generic high street suit will not express your personality or originality and in a creative industry, could be judged as unimaginative or overly conservative.  Just small tweaks like adding accessories or having a well-fitting but less conventional jacket can make all the difference in helping you to stand out and express yourself and your character.  You also need to feel comfortable and confident and none of us feel at our best when wearing an ill-fitting outfit that we would never otherwise consider putting on for the office or a meeting.

  • For an interview most women could wear a dress/blouse with a jacket that looks good, but isn’t necessarily a matching suit.  You can accessorise with a scarf or jewellery or statement shoes.
  • Men don’t need to be left out and can still look sharply dressed and add touches of coordinating colour through a tie, cuff links, glasses, watch etc. Pick a shirt that fits you well, is comfortable and is ironed.  You don’t want to appear to be wearing a baggy school uniform shirt or a collar that’s so tight you can barely breathe.

It’s important to be memorable but you probably don’t want to be remembered for a terrible comedy tie or a too loud shirt.  Try your outfit on well in advance if possible and get your housemates or partner to give you honest feedback if you’re feeling worried.

Dressing for an interview is always a tricky balance, but I think it’s important to feel comfortable and confident, whilst looking your best and feeling your best. Erring on the side of smart usually is safer, but there are always ways of being smart without being an uncomfortable dark suited clone.

If you would like to receive more tips about Interviews and CV’s make sure you follow us on Twitter @AtwoodTate and on Facebook, or follow us on LinkedIn!

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