Tag Archives: publishing

Administrator in the Hot Seat: Cheryl O’garro

  • Who would you invite (and why) to your fantasy literary dinner party?

Meg Cabot has been one of my favourite authors since my teens, so she is non-negotiable. Richard Brinsley Sheridan and Jane Austen because their ear for wit, satire and the human condition is just fantastic. I think if the three of them got together, the resulting literary effort would  be a masterpiece. I’m just there for the great company!

  • If you could have written any book that exists now, which would it be?

How long do you have?! Off the top of my head, I would have to say either Harry Potter (for obvious reasons) or Northern Lights (the first of the His Dark Materials trilogy.) Both of those for me really draw you into their world and allow your imagination to really flow in a way that isn’t often possible outside of fantasy novels. I first read them when I was 7 and 10 respectively, and I would count both among my favourite books.

  • What has been the highlight/s of the past year?

The examiner telling me that my Masters’ thesis on the psycho-social benefits of hyper-engagement (a term I coined describing the adoption of arts consumption as a personality trait) had a strong and original voice and warranted elaboration. Who am I to decline that kind of professional and academic validation?! That is closely followed by my graduation ceremony in January.

  • If you were given the chance to have one superpower from any book/comic character, what would you have?

Right now it would have to be Quicksilver- the ability to move at great speed would be so useful for travelling and completing tasks. I’d still have my 24 hours in the day, but could fit in so much more! 

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B2B Job Focus: Deputy Editors/Editors

Are you a section editor who wants to climb up the career ladder? Today we’ll introduce you to Deputy Editors & Editors!

Deputy Editors/Editors

Deputy Editors are second-in-command within the publication. When the Editor is away, the deputy Editor deputises for them.

Depending on the publication’s size and structure, the role of the Deputy Editor may vary: you can have the same duties as a section Editor’s or assist Editors with their workload. Deputy Editors are usually less involved in hands-on writing and focus more on editing the work of other journalists, assisting the Editor with workflow management and mentoring/managing more junior members of staff. On top of solid writing skills, you will need excellent communication and organisation skills.

Here is a summary of what the role typically involves:

  • Edit and proofread the work of writers
  • Manage and assign articles (and sometimes write them)
  • Oversee the publication’s content to maintain quality and accuracy
  • Organise copy editing and production processes
  • Mentor or manage junior members of the team

Some publications may use the job title Assistant Editor instead, while other companies both have a deputy Editor and an assistant Editor. Assistant Editors’ main duty is to support the Editor, sometimes by performing a similar role as a section Editor. It’s confusing, we know!

Most deputy Editors have a solid background as a Reporter/Senior Reporter with a keen interest in the editing process. A degree in journalism or in a subject related to the publication (for example, a law degree to work for a law publication) can also be an asset. The next step for a deputy Editor is to become Editor!

Editors

Editors are responsible for the publication’s smooth delivery and more importantly for its Editorial strategy and commercial success. They need to ensure that the content published is accurate and compelling as well as meeting the audience’s needs. Editors act as the face of the publication, and as a result they may be required to attend events and conferences related to their industry. They need to be commercially aware and keeping up-to-date with market trends. They might also be involved in the launch or development of events associated to their publication as events now represent a large part of some publishers’ revenues.

Editors are expected to:

  • Plan, coordinate and revise content for publication
  • Manage Editorial workflow and monitor the printing process to ensure deadlines are met
  • Establish and monitor budgets
  • Be aware of market trends and identify new opportunities for new products
  • Review story ideas and suggest new ones
  • Act as the main point of contact between Editorial team and other departments
  • Work with sales and marketing teams to raise brand awareness
  • Work with events team to develop/launch new events or provide events content
  • Attend industry events and chair panels
  • Manage and develop Editorial team, recruiting staff and conducting appraisals

Editors’ responsibilities can be very broad especially if you are working on a small publication. Editors work closely with the sales, marketing and production teams as well as writers to produce a quality publication.

As we mentioned before, job titles vary enormously from a company to another. A step up from Editor would be Managing Editor and/or Editor-in-Chief.

Extensive experience is usually necessary to become an Editor, as we explained in our previous articles on B2B journalism and Section Editors. So if you are an ambitious graduate, you’ll have to get some relevant experience before applying for such a position!

Is our career advice helping you in your job search? Do let us know via our social media channels!

 

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Industry Spotlight: Production and Operations

Welcome to Atwood Tate’s industry spotlight series, where we go behind the scenes of each of our recruitment desks to give you the scoop on working with Atwood Tate. This week’s entry is with Clare Chan, who works on Science, Technical, Medical, Distribution, Operations and Production roles across London, the Home Counties and East Anglia. In this entry, Clare will be breaking down how to get into Production, Distribution and Operations in the publishing sector.

Production

production

What does ‘production’ mean in publishing?

There is a wide range of production roles in publishing, most commonly Production Assistant, Production Controller, Production Editor and Production Manager. Production itself can be varied– covering printed and digital books, printed and digital journals and more. The skill set of a Production Manager in trade books versus a professional publisher can be very different, so it is all down to the content of what is being published to determine what kind of production knowledge you should have or what duties you will be doing in the role. So a role in children’s books will probably be highly illustrated and need someone with a good eye for detail and 4 colour experience.

What will be the academic requirement?

There isn’t a specific requirement to get into production roles.  You will need to demonstrate substantial project and supplier management as well as excellent communication skills because the majority of the suppliers will be offshore.  You will also need to have good software skills, i.e. Excel spreadsheets, InDesign and Adobe CS, Biblio3 (especially for trade book publishers) or XML publishing (for digital publishing).

What background will the clients be looking for?

Your previous experience plays a significant role when it comes to applying for production jobs.  Production roles are not as fluid as one would think when it comes to switching roles.  For instance, if you wanted to become a Production Controller in a children’s book publisher, you should have novelty book production experience and also knowledge of European toy safety legislation.  And if you are to work for a journals publisher, you will be working as a Production Editor and dealing with external typesetters to get the journals published which often also requires copy-editing skills.  More details about Production Editor will be discussed in my next blog when I explore STM editorial roles – keep your eyes open for that!

Is there good progression in production?

There is a good progression and a clear career strucutre and you will also become a production specialist as you build up solid knowledge from previous experience. One thing to bear in mind is that production technology is ever changing so keeping up with new software and technology is essential.  The book industry is a great example: decades ago, it was all about off-set printing, but now we have digital printing as well as e-book and audiobook production.

What key skills do you need?

A good learning attitude is a must.  Good communication skills, project management, time management, account management as you will manage different suppliers (most often overseas) and there could be pressing deadlines from time to time so being organised is important too. Numerical skills are also important as you’ll could be working with Excel, calculating and negotiating costs for reprints and shipping etc.

Distribution and Operations

operations

What roles are there in the Distribution and Operations in publishing?

We deal with a range of distribution and operations roles. Examples of roles we recruit for include Inventory Assistant, Inventory Coordinator, Stock Controller, Supply Chain Manager, and Head of Operations. Distribution and Operations plays an essential part in a publishing house, monitoring the inventory and arrange reprint or stock movement when needed.

What skills or knowledge will the clients be looking for?

Analytical skills and excellent software knowledge. You will be using Excel spreadsheets a lot, including Excel formulas. Depending on the publishers, you might also need to have certain software knowledge.  Communication and organisation skills are also essential as you will be coordinating with in-house colleagues from Design, Editorial, Rights, Sales & Marketing as well as external suppliers.

Is there good progression?

Similar to Production roles, Distribution and Operations are also a specialist roles with good progression.  You may eventually lead the team and be promoted to Inventory Manager and Head of Operations.  Keeping up with the latest data management technology will also lead you a long way in the field.  Candidates with Production experience may move laterally into Distribution and Operations for a change in their career path. There are always new opportunities!

If you have any questions about Production, Distribution or Operations roles, feel free to get in touch with Clare at clarechan@atwoodtate.co.uk!

 

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B2B Job Focus: Digital / Online / Web Editor

Are you a journalist or a section editor who wants to climb up the career ladder? In a previous post, Atwood Tate introduced you to the world of Section Editors. Today we’ll focus on Digital/Online/Web Editors!

Digital / Online / Web Editor

Web editor positions (also known as Digital or Online editors) developed as online publishing was spreading across publishing. It is now a rare thing for a publication to have a print version only but not so peculiar to have digital only titles! Web editors are responsible for creating content tailored for online publication. This includes a wide range of material from text to videos and podcasts. Web editors create and develop editorial guidelines to attract and increase online audience.

Web editors’ responsibilities include:

  • producing appealing content for the publication’s website, app, etc.
  • liaising with in-house team members and clients to adapt digital content
  • ensuring that search engine optimisation (SEO) is effective
  • overseeing the online publication’s layout (text, images, videos…)
  • developing and monitoring online communities
  • monitoring online messages boards and social media

 

Web editors act as the main point of contact with technical staff. They need to collaborate with several professionals (web developers, writers, photographers, web designers, the marketing team…) to enhance the website’s visibility. They also monitor online traffic to measure popularity and find new ways to make content attractive.

Required Skills

Not surprisingly, web editors should have strong IT skills. An excellent knowledge of desktop publishing and photo imaging packages like Photoshop and InDesign is necessary to work as a web editor. They must also be familiar with SEO and content management systems. They still need to have strong editorial skills though as this is ultimately an editorial position! And employers value creative candidates who can anticipate the next trade or burning topic within their industry.

Career Background

There is no particular route to become a web editor although a strong body of experience is often required. Many web editors have worked as journalists, and have solid knowledge of online publishing. Some digital editors move into editorial team management, but once again the career paths for this role are pretty flexible. With the boom of online publishing, many companies hired web editors and new graduates are all expected to be familiar with online publishing. It seems that this function is nowadays more and more engrained in Editor roles as onlube publishing has become inevitable and it is probable that this specific function will merge totally in an Editor role.

You can find relevant Digital/Online/Web Editor jobs here: www.atwoodtate.co.uk

Inspired by the different careers in B2B publishing and thinking about new opportunities? We are running a contest to receive a personalised CV surgery session with Karine, our Lead B2B Consultant, to make sure you are the best applicant you can be! Apply here between midnight 20th August and 11.59pm 2nd September to secure your chance!

 

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Atwood Tate Does The SYP Pub Quiz Night

What happens when you mix four publishing professionals, good burgers and a pub quiz with pictures? A good night out, apparently!

Not far near London Bridge lies The Miller – a pub with excellent burgers and an interesting range of cider (including Frozen Strawberry Slush!)

Last week, four of the best and brightest that Atwood Tate have to offer went along for the annual SYP Pub Quiz in support of the Book Trade Charity (BTBS).

We called ourselves Atwood Great (modest!) and went head to head with  7 other teams of people starting out in the publishing industry.

What we thought would be a straight forward question and answer session turned into a feat of anagrams and guessing opening and closing lines!  We did worryingly well on the children’s literature round, but the most team bonding happened on the ‘Say What You See’ – how many can you get from the picture below?

say what you see

Unfortunately, we had to bow out early, but we had tons of fun! Thank you to the lovely team at the SYP for organising.

Want to get involved in an SYP event?

Society of Young Publishers (SYP) have a great events schedule and job board for the publishing industry. We recommend becoming a member!  Some of our team will be at How to Succeed with Your Job Search so make sure to have your questions ready!  

SYP logo

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B2B Job Focus: Section Editors

Thinking of a career in B2B journalism? Atwood Tate is here to help! In a previous post we introduced you to the wonderful world of B2B publishing. Let’s continue our closer look at the different editorial career paths of B2B publishing with Section Editors!

Section Editors

 

Becoming a section editor is one of the career paths available to reporters/senior reporters interested in editing or getting some managerial experience. Section Editors can focus on a particular type of content like news or features. They could also specialise in a particular topic such as fashion, games or technology.

Section editors are responsible for overseeing the content of their part of the publication. They commission articles for their sections and work independently with their team of journalists (if the publication is big enough for them to have a team). They ensure that their section is of quality, up-to-date with the industry’s latest developments, and informative.

The duties associated with this role include:

  • scheduling content for their section of the magazine/website commissioning/writing articles
  • supervising freelance writers to ensure they hit deadlines and potentially managing in-house reporters.
  • editing, proofreading and subbing copy

Section editors may write some content for the publication but their main duty is to supervise writers and guarantee that deadlines and quality standards are met.

Our clients expect candidates to have solid experience as senior reporters to apply for a section editor position. They are looking for reporters with good proofreading and subbing skills as well as the ability to manage a team and to plan content for the section of the magazine.

The natural progression for section editors is to move on to a deputy editor position and then an editor role. No specific qualification is required to become a section editor but a journalism degree can be a bonus as previously stated in our Reporter focus.

Next week, we will be looking at the typical job description and career path for a Digital/Online/Web Editor position!

Is our career advice helping you in your job search? Do let us know via our social media channels!

Inspired by the different careers in B2B publishing and thinking about new opportunities? We are running a contest to receive a personalised CV surgery session with Karine, our Lead B2B Consultant, to make sure you are the best applicant you can be! Apply here between midnight 20th August and 11.59pm 2nd September to secure your chance!

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What happens to my CV?

Introduction

If you’ve never worked with a recruitment agency, it might be difficult to know what the different stages actually mean. Does registering with us automatically mean you’ve applied for a job? How will I know what the details are? Lead Recruitment Consultant Karine Nicpon explains.

Applying for role via a job board (Guardian/Gorkana/Bookseller) or via our website

Applying through a job board or through our website doesn’t send your application directly to the client. Instead, it is reviewed for suitability by the consultant, based on a full client brief (required skills, experience and salary expectations.)

If we think you are suitable, we send full details: name and website of the client, job description, salary, and any other relevant information. This is when you can decide how interested you are.

If everything still looks rosy, great! It’s time to send us a tailored CV and cover letter for us to send to the client. The process to your shiny new job begins!

Unfortunately, if we don’t think your skills and experience match what the client is expecting, we won’t proceed with your application. The client hasn’t seen your CV, as we only send over a personalised application with your permission. If you haven’t heard from us, you are welcome to apply for other jobs that we may have available or request to be added to our database for future opportunities.

Registering with us via our website/E-mailing us your CV

When you send us your CV by e-mail, one of our administrators reviews it for relevant experience. If we can help, we invite you in for a registration meeting. If there isn’t enough relevant experience, we have a range of temp and freelance roles to build up your experience. Many temps move into permanent roles, so don’t be disheartened! If your CV is strong but not publishing focused, we send you a reply acknowledging your experience.

Registering your CV via our website is similar: fill in a form with your preferences, which is reviewed against current vacancies to see if we can help. If we can, we invite you in for a registration meeting to discuss your needs and start the job search process!

If we can’t help you, we will let you know so you aren’t left hanging.

Automatic job alerts

Once we have added you to our database, we activate your job alerts (unless you tell us not to!). These are instant alerts to our new vacancies so that you are always aware of the jobs we have. While these come up with a consultant’s email address, they are sent by our IT system based on your preferences, not by the consultants themselves. Receiving a job alert is not a guarantee that your application will be progressed!

If you don’t like the sound of a job you can delete it but, if you do, you can apply via our website for your CV to be reviewed by our consultants. One thing to remember: our alerts are not matched by salary, so please don’t be alarmed or offended if you receive something that seems too high or low for your experience! If you feel you are receiving too many alerts, you can ask to switch them off or edit your preferences directly by logging into your profile.

Contacting the team

Our team are always happy to hear from new and existing candidates. If you would like to get in touch, there are a few options:

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B2B Job Focus: Reporters

Thinking of a career in B2B journalism? Atwood Tate is here to help! In a previous post we introduced you to the wonderful world of B2B publishing. Let’s now take a closer look at the different editorial career paths of B2B publishing, starting with Reporters!

Reporter/Journalists 

B2B Reporters/Journalists source and write news and features articles for a variety of formats, from print and online magazines to newspapers and broadcast (TV and radio).

B2B journalists investigate and report the latest news within a specific market. In this capacity, reporters may be required to travel nationally and/or internationally to cover industry events. Typical duties include:

  • Sourcing and writing news stories/features/opinion pieces about a specific market
  • Researching and interviewing key industry contacts to deliver accurate content
  • covering conferences and reporting on industry events
  • building strong contacts within the industry and developing an expertise of the market covered

B2B publications cover a wide range of subjects: from mechanical engineering to cabinet-making, energy to nursing, there is a publication for every trade!

Our clients are open to journalists without prior B2B experience for entry level positions. For roles requiring previous experience, a B2B background is desirable as writing for business audiences requires a different approach to consumer journalism. Some of our clients also value experience working for a local newspaper as local reporters often have strong investigation skills. Employers are looking for journalists with good research skills and the ability to pick up a subject quickly. You don’t have to know all about civil engineering to work for a civil engineering magazine, but you do need to be able to get to grips with the subject quite quickly. For more senior positions, our clients might ask for previous experience in a specific sector. This is particularly true with complex sectors such as finance or law.

Career paths vary according to what reporters are interested in. The natural progression for news-driven journalists would be from reporter to senior reporter and possibly section editor (news editor or features editor) positions if editing is something of interest. They can also choose to become assistant editors before moving on to a deputy editor and later editor positions, while those who prefer focusing on editing and copy-editing can become sub-editors. There is a thin line between all of these roles and your choice to follow one path or another will depend on your skills and preferences. Job titles can also mean different things in different companies (It’s confusing, we know!) Always read job adverts and job descriptions carefully before applying to try and understand what the role really entails. Or speak to your recruiter!

Is a formal qualification really necessary to become a journalist, I hear you ask? It isn’t an absolute requirement and some of our clients are quite happy with equivalent experience. A course might help craft your skills and teach you the basics of what makes a good reporter. If you can, we would recommend doing a course/training or gaining some relevant experience like internships before applying for a first job. The National Council for the Training of Journalists (NCTJ) offers accredited courses and many universities have journalism degrees.

We hope this helps! Watch this space as we will continue the series next week, where our next post will be on section editors!

Inspired by the different careers in B2B publishing and thinking about new opportunities? We are running a contest to receive a personalised CV surgery session with Karine, our Lead B2B Consultant, to make sure you are the best applicant you can be! Apply here between midnight 20th August and 11.59pm 2nd September to secure your chance!

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Industry Spotlight: Sales and Customer Service

 

Welcome to Atwood Tate’s industry spotlight series, where we go behind the scenes of each of our recruitment desks to give you the scoop on working with Atwood Tate. This week’s entry is with Olivia Constantinides, who works on Sales, Marketing, Publicity and Customer Service roles in London and East Anglia. She covers all sectors, except B2B.

In this spotlight Olivia will focus on Sales and Customer Service roles and will tell you more about what these jobs involve and the types of skills they require. At a later date she will cover Marketing and Publicity positions.

Types of roles

Sales roles in publishing are really diverse. Whether you’re an Account Manager looking after existing customers or a Business Development Manager focused on bringing in new business, your job is to build relationships with customers and persuade them to buy your company’s products or services.

One of the great things about working in sales is that you get to handle the finished product, whether that be a children’s book, a scientific journal or an online learning platform. You also get a real insight into the market and what the customer wants or needs. This knowledge is invaluable for the business as a whole and can be used to influence what is published in the future and how products are marketed to customers.

Some sales roles will include elements of customer service and if you’re selling digital products or software, you may train customers how to use it.

Customer service roles are closely linked to sales and involve dealing with the customer post-sales, usually over phone or email. Common responsibilities include answering order or stock related queries or resolving problems and complaints.

Do sales roles involve lots of cold calling?

A common misconception is that sales roles involve endless cold calling. It’s not usually like that in publishing. You might be selling books to bookshops or retailers, or software to universities, libraries and hospitals. Therefore you’ll need to meet customers face to face and adopt a softer and more consultative sales approach.

What is the pay like in sales?

Sales salaries often exceed those of other roles. In addition to your basic annual salary you will likely receive a bonus or commission based on the amount you sell and revenue that you bring in for the company. This might be paid out monthly, quarterly or annually. It is sometimes uncapped so your earning capacity is limitless.

Is there good room for progression?

There is really good room for progression in sales. You could start out in a sales support or administrative role and gradually progress to managing your own accounts and then eventually overseeing a team of sales people.

One of the advantages of sales roles is that the skills you develop are really transferable so you could find yourself working for a variety of publishers and selling to a variety of customers. Skilled sales people will always be in demand.

Whilst there aren’t nearly as many customer service roles out there, there is still good room for progression and you could end up managing a team of Customer Service advisors and overseeing the strategy for the department. Like sales, the skills you develop are very transferable and customer service people often find themselves working for a range of organisations.

Do you get to travel?

Sales roles will usually involve some element of travel but the amount will depend largely on the role. You might look after a specific territory, which could be as big as London or the whole of the UK. Some roles can cover regions as large as Europe, the Middle East, Latin America or Asia. International sales people may find they are travelling at least 50% of their time. If you like being out and about, a field based or international sales role would suit you.

On the other hand, some roles are more office based, with most sales being conducted over the phone or via email and only occasional visits to customers being needed. You may find the opportunities to travel increase as you progress into more senior positions.

Customer service roles are usually office based but depending on the company you work for, you may take occasional trips to visit colleagues in other offices, which could be in the UK or overseas.

 

What key skills do you need to succeed?

To succeed in sales you need excellent communication and presentation skills. You need to be results and target driven with a good head for numbers and a knack for negotiating. You also need to be driven, determined and ambitious.

For customer service roles, excellent communication skills are also vital along with the ability to problem solve and empathise with customers.

If you’re considering a sales or customer service role in publishing or already work in the industry and are looking for your next opportunity, contact Olivia at olivia@atwoodtate.co.uk.

 

Atwood Tate recruits across all levels and all functions so if you are looking for a new role in publishing please get in touch with us at info@atwoodtate.co.uk. We also have a very active temps and freelance desk, so if you are open to short term contracts or are looking to boost your freelance career, you can reach Alison at alisonredfearn@atwoodtate.co.uk.

 

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Industry Spotlight: E-learning, Educational and Academic

 

Welcome to Atwood Tate’s industry spotlight series, where we go behind the scenes of each of our recruitment desks to give you the scoop on working with Atwood Tate. Our next entry is with our  fantastic editorial desk, manned by Christina Dimitriadi and Charlotte Tope.

Introduction

Welcome to the busy Editorial Desk where Christina, our Senior Recruitment Consultant and recent addition Charlotte, man the editorial fort. We look after all of the editorial roles that come in, for the Educational, E-learning, Assessment & Testing, Academic, Professional and Trade sectors in London and East Anglia. Pretty much all sectors minus STM, which our lovely consultant Clare Chan takes care off, and B2B which you read about in our last desk spotlight blog (if you missed it you can check it out here).

Today, we are going to focus on the Educational, E-learning and Academic sectors, tell you more about what they are, how they differ and what roles we cover. In a future post we will cover trade and the professional sectors.

Educational Publishing

Educational Publishing is one of the largest sectors of publishing in the UK and it covers the whole spectrum, from curriculum publishers for primary and secondary schools to higher education publishers for university level. Educational publishing is dedicated to the creation and publication of textbooks and curriculum material for schools and higher education institutions. This includes the development of any additional content needed to support the course; such as workbooks, digital software, interactive websites and teacher’s guides. We work with candidates from their first roles up to the latest stages of their career development and positions you will be seeing advertised will range including Editorial Assistants, Project Editors, Commissioning Editors, Managing Editors, Product Managers, Heads of Editorial Content and Publishers.

ELT

A growing division of educational publishing is ELT which stands for English Language Teaching and focuses on the development of print and digital resources for students learning English as a second language. This can be primary school students up to adults learning English for professional or academic purposes. For positions in the ELT editorial sector we will be usually looking for candidates with an excellent command of the English language, very strong editorial skills, and some ELT teaching experience. People coming from a teaching background have a very valuable insight of knowing first-hand which products do or don’t work in the classroom. Any relevant ELT qualification can also be an advantage, such as CELTA (Certificate in Teaching English to Speakers of Other Languages) or DELTA (Diploma in Teaching English to Speakers of Other Languages).

E-Learning, Assessment and Testing

We also work with a range of publishers and providers of online courses for teaching, research, studying and assessment. This is an exciting aspect of educational publishing that has been rapidly expanding in the digital age and we are seeing more products moving away from the traditional text heavy books or paper products to new and innovative forms of online learning content, interactive courses, modules and assessments. The jobs we cover here would range from traditional editorial roles to Digital Content Developers, Instructional Designers and Product Managers. Our candidates will usually have a solid print or digital publishing or ed-tech background and they would focus on the technical development of the product/course, for example its usability and performance as an educational resource.

Academic Publishing

Academic publishing is intended to communicate the latest research and developments to the academic community. We work with a rage of smaller and larger publishers and societies who publish scholarly journals, books, eBooks, text books and reference works for researchers, students and academic libraries. It is common for universities and museums to publish academic books, aimed particularly at academics and we also work with academic associations, who share information with their members or the public. Depending on the discipline, academic publishing can be split into two sectors, humanities and social sciences (HSS) and scientific, technical and medical (STM). A common term you will hear when applying for academic journals roles is the peer review process, which is a procedure of reviewing and evaluating the quality and validity of articles prior to publication. You can read more about the process here and on the websites of the majority of academic publishers. Common roles you will see us looking for are Editorial Assistants, Publications Editors, Commissioning Editors and Publishers.

 

We hope this blog gives you a good idea of the sectors we work within and what roles we cover. More desk spotlights are scheduled to come so do keep an eye on our website. For more information on editorial roles in educational, e-learning and academic publishing feel free to contact Christina at christina@atwoodtate.co.uk or Charlotte and charlottetope@atwoodtate.co.uk.

Atwood Tate recruits across all levels and all functions so if you are looking for a new role in publishing please get in touch with us at info@atwoodtate.co.uk. We also have a very active temps and freelance desk so of you are open to short term contracts or are looking to boost your freelance career, you can reach Alison at alisonredfearn@atwoodtate.co.uk.

 

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